1. catcoconut:

    Nothing to start Inktober like scaring others with a stalfos skull!

    (via akuriko)

  2. martabevacquaphotos:

    the storm was coming. an approaching storm. silence. smell of rain.
    they look far; they just know the direction to take.
    the dark was coming. the wind was blowing. delicately, at the beginning. each second stronger.
    the journey begins. with the light of dark clouds in the evening.

    shoot inspired to Princess Mononoke (Miyazaki)
    see the whole serie on www.martabevacquaphotography.viewbook.com
    section fine art—> the wolf girl

    follow me on facebook: https://www.facebook.com/pages/Marta-Bevacqua-Photography/136233216442187

  3. rudymora:


    Does Lucina wear a one piece under her armour

    heck yaaaaaaaaa

  4. strangelykatie:

    Princess Mononoke print!

    (via drawstin)

  5. pixalry:

    Dear Inner Demons: Retro Gaming Edition - Created by Christopher Hemsworth

    Prints are available for sale at his Society6 Shop.

    (via akuriko)

  6. zorobro:



    holy poop

    (via akuriko)


  8. actionhankbeard:

    Yo Pataki is a re imagining of the Hey Arnold characters as young adults. The series (hypothetically) would center around a 26 year old Helga Pataki who is now a bartender works at the family owned business, Big Bob’s Cafe.




    When Big Bob’s Beepers goes out of business,…

  9. creativerehab:

    Alina in the doorway.

    Lo-res 120 film scan.

    (via ixnay-on-the-oddk)

  10. bridgioto:

    Bravest Warriors #24 is coming out next week, with this cover I did for it! Here’s some of the process work - I included some explanations this time. I don’t know if it’ll be helpful at all or just… verbose… but hopefully there’s something useful in there :>

    1. Thumbnail

    2. Tight sketch

    3. Rough values painted underneath the sketch

    4. Value painting on top of the sketch to tighten things up

    5. Flat colors! Regular area fill for set pieces, and a few color/overlay layers to quickly indicate hues in the painting

    6. Set lighting: using multiply layers to indicate the overall scene lighting raking across the wall, working out how that will interact with the portrait painting and lead the eye. Also continuing to paint in regular layers on top of the portrait.

    7. Warming/brightening up the scene lighting, picking out highlights on the frame, softening some form shadow edges to add dimension, adding some rimlight to Catbug. Continuing to work up the portrait. Adding occlusion shadows under the frame and curtains.

    8. Using a lighten layer to better expose and unify the areas of the scene struck by light. Lightening the shadow areas a bit to raise overall tone and prevent stuff from getting lost or too dark.

    9. Pushing the lights even further to get a stronger afternoon-light feel and create better separation between light and shadow. Adding a soft glow around the light edges. And dust mote sparkles! :>

  11. (Source: zdf, via burdge)

  12. jimmyjames33:

    kristina by erica shires.

    (via ericashires)

  13. aouli:


    (via akuriko)

  14. writing is rewriting!


    For the past 5 years, I have kept all of my ideas and drawings in this binder.  I would take it to Starbucks, put on my headphones and keep adding to it.  Once I thought I figured out the story and scanned all the drawings, I would print them out to make a dummy.  I would get excited for about a week and then realize “No, this is too long.” or “It needs to be more simple.” or “It’s not good enough.” Then I would rewrite the story and do it all over again.

    (via radfordsechrist)

  15. nicolleking:


    (Source: sarapichelli, via babsdraws)